Archive for Tickets

TicketShit

Posted in Uncategorized with tags , on March 30, 2009 by Mr.Miner
3.6.09 (J. Kravitz)

3.6.09 (J. Kravitz)

Something’s got to give in this discouraging state of affairs.  Phish tickets have gotten nearly impossible to acquire on actual on-sale dates, and there is no solution in sight.  In a nutshell, this sucks, and many fans are being left ticketless. This weekend, we witnessed the death of online Phish ticket sales, and discovered the only way to score a decent ticket is to be the first in line at an outlet- sometimes.  Although I had most of my tickets, I tried to score tickets for every on-sale this weekend to fill in the gaps and grab tickets and hook up friends in need.  Not interested in buying lawns, I was able to score a whopping two Gorge tickets out of seven on-sales.

This isn’t coming from a place of bitterness-I have my tickets, and for that I am blessed- just one of utter dismay and empathy for those who had similar experiences.  I tried all weekend long to score a decent stub and met with fail after fail after fail- and I consider myself pretty savvy with the ticket thing.  After my multiple experiences this weekend, I thank my lucky stars for having so many friends looking out for one another, because without such a network I’d be out of luck right now.  Yet not everyone has such a network, and these on-sales are their only real chance of getting tickets, and herein is my point.

Page and Trey (J.Kravitz)

Page and Trey (J.Kravitz)

Let me narrate this weekend’s bumpy road, and I bet that some of it sounds quite familiar.  Red Rocks- not a chance.  I never even saw the screen after I selected two four-day passes.  Next day- I tried for Darien while a friend stuck out on Merriweather.  I was never able to access a screen to actually select tickets- not sure why.  Maybe I refreshed one too many times, but I was never let back in, even after restarting my computer- though obviously nothing was left at that point.  There is nothing on Live Nation’s site about refreshing screens.

SPAC- nothing.  I am thrown into a waiting room from which I never emerge. Once I decided to bite the bullet and refresh the screen, tickets were gone.  Live Nation’s server seemed to be jamming every single time, and even when I did get by the captcha in under fifteen seconds, there was always an error message waiting on the next screen.

blockbuster_video_storeMeanwhile, I heard of a friend’s success at their local Blockbuster, and decided that for Shoreline, that would be my plan.  But first the Gorge was going on sale.  Completely defeated and ready to toss my computer out the window, I would attempt Gorge tickets as a mere formality.  But less than an hour before they dropped, a friend stopped by and suggested we look at places to go in the city.  We hopped in her car and sped down to a little Ticketmaster outlet within a store in the Mission.  Upon arrival, there were about nine people there and about a half an hour to go.  I figured we were screwed but decided to wait and be told formally.  In conversation, I learned that eight or nine people had scored four-day passes for Red Rocks there the previous day. Hmmm, I thought, we are going back to the old-school.

3.6.09 (J.Kravitz)

3.6.09 (J.Kravitz)

While waiting in line, I realized that our technology has finally outdone itself.  With so many people trying to score tickets against insurmountable odds created by ticket bots, hacker software, and scalpers, online ticket sales for Phish shows are officially dead.  Sure, there will always be stories of the people who were lucky enough to get them- but that’s what it is, pure luck.  Sure, you can strategize until the cows come home, but with zero barriers to entry, when thousands of people all hit the button simultaneously, whoever gets pulled into the system is quite random.  Online ticketing is far too accessible- you can sit in your underwear with your bong and click the mouse, or try order tickets when you should be working.  Back in the day, you’d have to go to a Ticketmaster outlet- it took a lot more effort.  Online on-sales have become no better than another lottery at this point, so we are left to trade and scalp; it’s a bad scene.

As the guy at the outlet furiously ran credit cards and printed tickets, the two-day passes sold out, as expected, with the person before us.  We did manage to score two individual tickets, and now she’s in.  That’s my success story.  But it wasn’t supposed to be the main story- that was coming Sunday with Shoreline.

3.6.09 (J.Kravitz)

3.6.09 (J.Kravitz)

I tried for Hartford and landed in another waiting room, then all that was available was lawn- all within about thirty seconds.  Really?!  I got into the system in the first thirty seconds and all that was left were lawn seats- something was going on here.  Unless you got right in at the moment the tickets went on sale, your chances at a pavilion seat were slim to none.  Sure we can all get stubbed down, but it’s all about having your own ticket in your own pocket.

Yet for Sunday I had scouted my plan.  I located a random Blockbuster an hour outside the city, and was heading there early- very early.  Waking up at 7:07, I hopped in my car by 7:30 and was in the desolate parking lot of Blockbuster at 8:30 am- alone!  I had done it, I had accomplished my goal- I was first at an outlet.  I smoked a joint solo just to celebrate my forthcoming pair of 100 level tickets, and sat on the curb with the Sunday Times- blowing up my solo lot scene.  I spoke with the manager, and he was on board with the mission, so I relaxed and enjoyed the morning sunshine for 3 1/2 hours.  About an hour into my personal sit-in, a second guy rolled up, and we shot the shit as we gloated about our situation.

3.6.09 (J.Kravitz)

3.6.09 (J.Kravitz)

I checked in with the manager again, telling him about the high demand, the scalpers, and the incredibly time-sensitive nature of his forthcoming task.  He was down, he would do all he could to make sure we were hooked.  Beautiful- or so we thought.

Finally, it was five to twelve, and tickets were about to drop.  As I watched him navigate the computer, I realized how slow he was at each movement and began to fear that his lack of speed would be our doom- but I was first- I knew I would at least get my two.  12:00 hits!  He pulls up two pavilions but has no idea what button to press to try and acquire the tickets.  After about twenty seconds of searching he finally found the “add to cart” button, which I thought was strange for a corporate outlet.  A cart?  Anyhow, as he entered the order, his computer came back with an error message!?  What the fuck?!  I came here to avoid error messages!  And so he started the process from the beginning again, and I knew I was sunk.  By the time he pulled ANY ticket, it was 12:10 and it was a lawn, which we let a third guy have who came up at the eleventh hour.

Fishman (J.Kravitz)

Fishman (J.Kravitz)

I was momentarily livid.  It was so obvious that Live Nation sent their guy to install their computer at Blockbuster, dropped off an instruction manual and left.  The guy confessed to being “very new at this” having only sold twenty tickets ever, and no offense, but it showed- he was totally unprepared for the task at hand.  If I was behind the terminal, I’m confident we would have all walked out with pavilions, but alas, what could we do- he was the guy that worked there.  To make a long story short- first in line, 3 1/2 hour wait, no tickets.  Nice.

What to do now?  I have no idea.  With internet on sales as random as the lottery, outlets’ efficiency subject to staff competence, and a phone system in which we get hung up on, we are left with very little control over our own destiny to score Phish tickets.  It’s reached the point of absurdity, and I have yet to hear a legitimate solution.  This whole paperless ticket trend wouldn’t work for Phish, as you wouldn’t be able to trade or buy tickets for friends unless you were actually going in the door with them.  Though by subverting scalpers, everyone just might be able to get tickets again.

Ironically, part of the problem is the relatively low price of Phish’s tickets.  With a $50 face value, they are sold at a fraction of the cost of any major act like Bruce Springsteen, The Dead, or U2.  Knowing the profit margin available on Phish tickets, scalpers, like vultures, flock to them using ticket bots and mark them up 400-500%.  If that’s their business, how can you blame them?  The incredibly high demand for Phish tickets far outstrips the supply for any given show, driving the true market value of a Phish ticket far above $50.  With such a high demand, they are able to make ridiculous profits on Phish.  In trying to keep it cheap for the fans, the irony is that fans aren’t getting the tickets; it’s a total mess.

3.6.09 (J.Kravitz)

3.6.09 (J.Kravitz)

So we are left to our networks of friends, trading boards, and scalpers- not always feasible options for everybody.  I am a firm believer that if you go to just about any show and try hard enough, you will always find one.  But it shouldn’t have to be like that; it shouldn’t be so damn hard for to get a ticket to see our favorite band.  But with the band members taken out of business decisions this time around, we are left with Coran Capshaw and corporation Phi$h running the show, and, honestly, they seem like they couldn’t care less.  Sure, they put anti-scalping messages on Phish’s ticket site- but do they actually do anything? Not so far.

ticketsnow-ticketmasterBruce has done something, Trent Reznor has said something, Eddie Vedder pioneered the anti-corporate ticket movement, and Metallica, AC/DC, and Tom Waits have tried paperless tickets requiring credit card and ID for entry.  Yet nothing but silence has come from camp Phish as TicketsNow continues to hawk all their summer shows at absurdly high prices.  It seems clear that Phi$h Inc. likes the hype and these sky-rocketing prices in the secondary market, as the demand to see Phish will only increase with every fan shut out.  In the end, with the millions rolling in, no one cares who is getting the tickets or how they are doing it, this much is plainly obvious.

This is 2009, folks- we can pull up our friend’s entire music libraries on our phones from across the country, we can zap messages to people around the globe instantaneously and locate anything with pinpoint accuracy via hand-held GPS devices, but somehow we can’t figure out an effective system to get tickets in the hands of real fans.  The real question remains, does anyone really want to?

***

To correlate some numbers to this debacle, check out “The Economics of Phish Tickets,” thanks to Posterus Nutbagus!  Here is an explanation of the spread sheet.

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PHISH THOUGHTS TICKET EXCHANGE:

2889100254_8494a287a8Speaking of tickets, The Phish Thoughts Ticket Exchange has been updated for all the new shows!  We have opened up the board to the public- no longer will you need to email for an invite.  Please respect the board, as this is a community resource to get around the secondary ticket market.  Please respect the board and post carefully to make sure you are putting your info in the right place. Please read the instructions on the board before posting.  There is a permanent link to the board on the upper right of the home page.  If you make a successful deal through the board, please send an email with “Great Success!” as the subject line with the details of the deal in the text so we can track transactions.  If you have any questions, feedback, or suggestions, please email mrminer@phishthoughts.com!

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DOWNLOAD OF THE DAY:

redrocks_right6.11.94 Red Rocks SBD < LINK

I am re-posting this classic SBD for the sake of completing our ride through Red Rocks history.  We conclude with a straight up classic- certainly one of the best ever in Morrison.  Enjoy the blistering show from start to finish, as we dream of the end of July.

I: Wilson, Chalk Dust Torture, You Enjoy Myself, Rift, Down With Disease, It’s Ice, Tela, Stash

II: Also Sprach Zarathustra > Run Like an Antelope, Fluffhead, Scent of a Mule, Split Open and Melt, The Squirming Coil, Maze, Contact > Frankenstein

E: Suzy Greenberg

Last “Frankenstein”07-26-91.

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Ticket Paranoia!

Posted in Uncategorized with tags , , on January 30, 2009 by Mr.Miner

Staring at the glowing screen with sweaty palms as your heart palpitates; refreshing the screen every second waiting to see that magical “Buy Tickets” button; constantly glancing at the time, moving as slow as Elmer’s glue; it’s all back.  This ritualistic stress has returned as we sit on the brink of Phish’s first ticket on-sale weekend in five years.  This time, it’s not just three shows, but an eleven show run over two days.

201The nerves always become a bit tense in the 24 hours leading up to the moment, as you try to devise the perfect strategy to succeed. Maybe you should open three windows at once?  Maybe you should drive a few states away to a random outlet and score in person?  Maybe you should try to keep the agent on the phone for the right amount of time?  Maybe you should go into work early on a Saturday morning to use their fast Internet connection on multiple computers?  Maybe you should split up the shows with your friends and all try for a separate one?  The options are endless, and the irony is that there is no clear cut “best way” to score tickets in this age.  This fact makes the game all the more fun to play!

1999-10-03gnTicket paranoia- it can be paralyzing! As you lie in bed the night before or sit at work waiting for the few hours to pass, your mind can become numb.  All of a sudden, you find yourself unable to perform any tasks other than refreshing the browser and your mind becomes obsessively one-tracked.  Thinking about, let alone accomplishing, anything else can sometimes be straight up impossible.  Maybe that’s where you’re at right now.

As the time approaches, the butterflies flutter a bit faster while your heart rate begins to steadily increase as if you were exercising.  Refresh.  The clock says 9:57.  Thoughts of Phish, the joys of summer, the warm air in the amphitheatre, the first set under the fading sun, the long carefree drives.  The clock still says 9:57.  Damn! Refresh.  This type of pattern continues for the next three minutes- however it seems like three hours- before that :59 finally turns to :00.

1998-04-04gn210:00.  Now the adrenaline kicks in, as you try your best to control your mouse-clicking finger, making sure you do things briskly, yet carefully.  At this point, your nerves and adrenaline can actually work against your fine motor skills; your body becomes momentarily discombobulated.  But you push through, overcoming as you must.  Damn!  You can’t read that security word- “Why the hell do they make them so hard to read?” you wonder.  You ask for another code word, thinking that this step could be your demise, or mean the difference between a great seat or a lawn seat.  Quickly you type in “design” and “snowbank” as quickly as possible while wondering how the hell they choose these random words. You finally click “Enter.”  Your waiting time is less than 2 minutes. Two minutes!!  You begin cursing in your mind, letting one or two leak out of your mouth. That wheel is spinning forever!  Around and around and around and around, then all of a sudden your wait time jumps down to “less than a minute.”  “Let’s go, let’s go, let’s GO!”, you think to yourself, waiting for that ticket page to appear.  YES!! Like a shaft of light shining on you from above, time stands still as the next screen appears -“Section 103, Row G, Seats 23, 24.”  Booyakasha!  A hundred pound weight lifted off of your head, and your anxiety turns to momentary glory.

2003-02-18gnThere is no time to rest, you have one minute and thirty seconds to complete a couple more steps.  Payment.  Since we haven’t ordered tickets in years, maybe you no longer have your credit card number memorized, so you lay it beside your keyboard.  Looking back and forth between every four numbers, you carefully type in the digits.  Then the expiration. Then the code.  Finally, the shipping.  You know this info by heart and you breeze through, recheck it all and submit your order.  Finally, you can relax.

livenation_logoBut this time there is no time to rest with seven shows going on sale!  Then four Saturday morning.  You’ve got to get your nose directly back to the cyber-grindstone and go for the gold.  Today, all of this will take place on foreign territory- Live Nation.  For years, fans have cursed Ticketmaster for any and every reason, but we all got very used to their website. We no longer needed to look for anything on the screen.  This time through, with a poor user interface, your guess is as good as mine as to how this will turn out.  Live Nation may crash and error out orders with the high demand for all we know- even Ticketmaster did that sometimes.

1997-11-28gnBut with all the different shows going on sale at the same time, the demand will hopefully be dispersed enough to ensure that many people can hook up some stubs.  With the likely ability to only score a couple of shows, I foresee a lot more online ticket trading before the beginning of June.  In the end, if you passionately want to go to any of the shows this summer, besides Asheville and The Fox, your will will get you in.  Just don’t give up, and for God’s sake, don’t stay home because you don’t have a ticket!  This may be against Phish’s “advised polices,” but if you haven’t found a ticket yet, and you really want one bad enough, you will find one on the lot.  Just get there early enough and scour like a madman! Don’t stand like a statue with your finger in the air.  It simply comes down to desire.

Best of luck to all in the newest version of the ticket game; this is only the beginning!

Share today’s ticket stories in Comments!

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DOWNLOAD OF THE DAY:

9.14.99 BSU Pavilion, Boise, ID < LINK

9.14.99 Boise, ID

9.14.99 Boise, ID

Due to all of yesterday’s talk around this epic show, it has jumped to the top of the pile for today’s download.  Celebrate whatever tickets you get with one of the most exciting Phish sets of ’99.  Only two words needed here– “Bag,” and “Gumbo.”  Enjoy the weekend!

I: Chalk Dust Torture, The Sloth, The Curtain > Waste, Loving Cup, What’s the Use > Wading in the Velvet Sea, Farmhouse, Nellie Cane, Taste, Rocky Top

II: Peaches en Regalia, AC/DC Bag > Gumbo > Down with Disease, Frankenstein

E: Simple, Hello My Baby

Tickets? Yeah, Right…

Posted in Uncategorized with tags , on October 15, 2008 by Mr.Miner
Tom Morrell

photo: Tom Morrell

Answers to the great ticket mystery have started to unfold.  Yesterday afternoon, Music Today began trickling emails out notifying the majority of the 100,000 ticket requesters that they had been denied any tickets.  It seems as though it was all or nothing, as people who got tickets seemed to get their entire request filled.  This seems like a clear an attempt at preventing thousands one-ticketed fans from descending upon Hampton to try to find the other two nights.  It makes sense, but if Phish thinks the Hampton lot scene will anything but a completely laughable ticketless joke, they are fooling themselves.  Unlike MSG, where there is no lot, and you had to walk the streets looking for extras, Hampton has an extensive parking lot and surrounding area that will no doubt be flooded with ticketless masses.

I have only heard about four people I know getting tickets, and one of them got TWO orders filled, so she has four tickets for each night!  Two other “winners” also got their whole order filled, and the third “winner,” my brother, was the only one I know to get a partial order filled, as he only got two for night three. Strictly from an observational standpoint, this system seems like an incredibly random and inequitable way to distribute tickets.  Someone who has never seen Phish grabs their dad’s credit card has the same chance of scoring tickets as a loyal fan who has been seeing them for over decade, and given the band countless thousands of dollars.  In my opinion, this doesn’t seem right.  Rewarding some with six tickets and most with none in a random selection process seems a bit too haphazard.

I don’t have any easy answers, but this is NOT how the situation should be.  Many people will wind up not going to these shows because they will be forced to pay scalper prices in order to get in.  The ticket game is almost impossible to win- with the Phish allotment of tickets virtually impossible to attain; and with Ticketmaster being so entangled in ticket broker relationships that most of their allotment go directly into the hands of scalpers.  Who is left out of all this? The fan!  Us!  It is a jacked up system that has been ingrained for so long, that it seems hard to overturn.  In taking a “strong stance against scalping,” Phish doesn’t seem to care about the reality of the situation.  At the very least, they could have played MSG, a venue with a 20,000 person capacity for concerts instead of the 13,800 person Mothership.  That would have allowed over 50% more people to get into these shows, and they could have played Hampton the following weekend, thinking of the big picture.

The Promised Land

Hampton - The Promised Land- photo: Abhi

The average fan entered the lottery anywhere from 1 to 10 times.  When not getting tickets, they are forced to try to break the Ticketmaster log jam, which as we all know, is almost as impossible as the lottery.  Maybe you’ll be one of the lucky ones to actually get into the server, but by the time you enter in the “code word” and information, you’re out of luck for the other two nights.  With a two ticket limit put into to place to spread the love, this will also ensure that no one will have extras for these shows, forcing our average fan to confront $250-300 tickets for each night.  Let’s say you have a girlfriend or boyfriend, husband or wife- now you’re looking at $1500 for the run- JUST FOR TICKETS!  With the first round of tickets gone, it seems like broker prices are already starting to climb into the $300 range. Once the 18th has come and gone, I don’t even want to know what they will be charging.  This has gotten completely out of control.

What is a shame, is that people who should be inside Hampton, won’t be able to enter due to these exorbitant prices.  I understand that Phish only controls their allotment of tickets, but maybe it is time for them to revisit their ticket distribution model, in order to ensure that fans inside didn’t have to cancel their winter vacation to get in.  My only idea right now is to go back to the original “Grateful Dead” model for Tickets-By-Mail.  It seems like a no brainer.  The reason why there are 100,000 requests, is because any jackass with a credit card can put in a request that matters just as much as any other.  With mail order- you needed to have the cash in hand if you wanted to order tickets.  If that were the case, I’d say that number of “requests” would decrease exponentially.  It’s really the only way to do it.  No one ever got rejected from mail order before- it was about how good your tickets would be!  Although Phish had good intentions, this is a classic case of technology screwing something up that was running smoothly.

Hopefully, this is all due to the massive hype of their comeback, and when they announce further dates, there will be greater chances of getting tickets.  Hopefully, they won’t announce dates one weekend at a time, a process that would ensure a repeat of this exact same predicament.  Honestly, they should have announced all the dates at once so that many people could have chosen what weekends to see, lessening the white hot intensity that is focused on Hampton.  But they didn’t.  So, for us “lottery losers,”  we need to battle an insufficient server and thousands of brokers on Saturday morning, in a virtual sprint for tickets that will inevitably end quicker than Usain Bolt’s Olympic races.  There is no easy strategy here.  All I can say is, think positively, and “Good luck!”- this ain’t no walk in the park.

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DOWNLOAD OF THE DAY: 6.18.94 UIC, Chicago IL SBD < LINK

UIC Pavilion

UIC Pavilion

A popular favorite from the Summer of ’94, this is one that everyone has heard.  One of the best shows of the tour, this first set is filled with Phish favorites, and the second set is for the ages.   Peaches, “Mind Left Bowie” kicks off this epic frame, and before long, amidst a dark twisting Tweezer, the band reprises the Mind Left Body jam at the the peak of this set highlight.  Pausing briefly in Lifeboy, the rest of the set explodes with an energetic YEM, and a set closing Chalk Dust. This is a classic- in soundboard form- enjoy!

I: Wilson > Rift, AC/DC Bag, Maze, The Mango Song > Down With Disease, It’s Ice, Dog Faced Boy > The Divided Sky, Sample in a Jar

II: Peaches en Regalia > Mind Left Body jam > David Bowie, Horn, McGrupp and the Watchful Hosemasters, Tweezer-> Lifeboy, You Enjoy Myself, Chalk Dust Torture

E: Bouncing Around the Room-> Tweezer Reprise

Tickets, Tickets, Tickets!

Posted in Uncategorized with tags on September 13, 2008 by Mr.Miner

With the release of Trey’s fall tour shows, the ticket game has once again commenced.  Trades, sales, brokers, miracles, service charges, convenience fees- all those things we haven’t considered for four years are back again.  Message boards and Craigs’ List sites are filled with offers to buy, sell, and trade.  Trey tickets have now made it to EBay for fan bidding wars, while many ticket broker sites have significant allotments of tickets.  There are two specifically sought after tickets on this tour that have been focus of the many transactions and requests- Roseland and Higher Ground.  Roseland, originally slated for Port Chester, NY,  sold out in minutes on the day of pre-sale, and with the heightened interest from many New Yorkers, the Ticketmaster release didn’t last much longer on Friday.

Higher Ground is a different story.  With a capacity of only 500, these tickets were gone faster than Port Chester for pre-sale, and to make it even harder to obtain, there were no further online sales for this show.  The only way of snagging tickets was in Burlington, at the Higher Ground box office on Friday morning, with a limit of two per person.  A friend of mine went down an hour early, but people had been lined up since 3 am for the release.  No dice.  Clearly a special show in Phish’s hometown, as well as a benefit for Trey’s Seven Below Arts Initiative, a program to fund and advance arts education in Vermont, this show is hyped as a Burlington family and friends event with endless Phish possibilities.

With both of these shows now sold out, broker tickets are going for Roseland between $90-200, while Higher Ground tickets are anywhere between $200-$400.  One question I have been pondering- with the exclusivity of the Burlington release, how do scalpers have all the tickets?  It just doesn’t make a heck of a lot of sense.  A counterargument to this overall ticket conundrum would be, “These are all small venues- there just aren’t that many tickets.”  Yes, I hear that, but this is mostly an extended regional crowd trying to grab these few tickets for Trey on his special comeback tour, not the totality of Phish nation.  That would be another monster.

What does this all foreshadow for obtaining Phish tickets when they do come back?  First of all, they are going to be expensive.  These Trey tickets, when all said and done, were $50 bucks out the door.  You figure that Phish could easily charge $75 bucks with charges included; no questions asked.  It may be less, but it may not be.  Combined with the increasing cost of gas these days, for both cars and planes, touring in a post 9/11 world looks to be considerably more expensive than it was back in the day.  And then there is the incessant ticket demand- the demand that the brokers feed off of.  Everyone remembers the comeback shows at MSG and Hampton- those tickets were nearly impossible to get your hands on, flying out of brokers hands for anywhere between $300-500 each.  Are we heading for a scenario like this for the upcoming return?  Possibly.  This is why it is important for Phish to choose their comeback wisely. But regardless of their decision, I doubt that Phish is going to step on stage at a festival in front of 90,000 people for their first show back- so prepare yourself to play the ticket game once again.

In 2003 and 2004’s comeback, brokers played a major part in the ticket distribution for all shows, often scooping up most of the tickets on release day and then reselling them for far over cost.  The demand for Phish tickets will be greater than ever- there is now a whole generation of Phish fans who have never even seen the band live!  And while this may mean good business for scalpers, it means major headaches for all of us.  Oh, how I long for the days of postal money orders and the traditional mail order system.  At that time, you needed the cash in hand to mail order, and if you did, you were rarely denied. This was largely because there weren’t 20,000 teenagers using their parents’ credit cards flooding the pre-sale system trying to score tickets like today.  With the advent of technology, scoring tickets has actually become more difficult- pretty counter-intuitive isn’t it?

Anyhow, as transactions continue to take place from now through the end of Trey tour, we will not only be preparing ourselves for the musical return of Phish, but also the return of strategizing, scheming, and figuring out how to secure your stubs for entry into the grandest musical theater on earth.  It’s all part of the game of Phish; get ready to play again!

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DOWNLOAD OF THE DAY:

4.17.92 Warfield Theatre, San Francisco, CA <<LINK!

On their smoking west coast Sping ’92 run, Phish stopped in at one of San Francisco’s most storied venues for the first time.  Making their debut at the 2,200 person Warfield Theatre, Phish played a keeper.  Following an all-star first set comprised of all classics, Phish leapt even deeper into the fray with the second set.   As the theatre’s curtain opened, revealing Page’s brother lying in a bathtub onstage, the band ripped into their new song “Brother” as Phish crew members continuously jumped into the tub!  Classic.  Also featuring a YEM, Fluffhead, and Tweezer, this widely circulated soundboard recording gives you a clean and crisp snapshot of Phish amidst one of their most revered old-school runs.

I: Runaway Jim, Foam, Sparkle, Stash, I Didn’t Know, Cavern, Reba, Maze, Bouncing Around the Room, The Landlady, David Bowie > Catapult > David Bowie > Catapult > David Bowie

II: Brother, You Enjoy Myself, Fluffhead, The Squirming Coil, Tweezer, Uncle Pen, Cracklin’ Rosie, Tweezer Reprise

E: Golgi Apparatus